Progress in Africa

Has anything changed in the past 50 years?

I always try to keep a keen eye on events that transpire outside the confines of my own small world. I assure you-- interesting things are happening, history always repeating itself. Solzhenitsyn had it right when he said ''the universe has as many different centers as there are living beings in it." The first time I read that I sat with a small frown upon my face, briefly trying to dispute it in my mind, trying to locate the actual center of the universe-- I could trace it no further than my own thoughts and perceptions. Nor can you, nor can anyone. It is what defines us, this center of the universe, our portal to wring out what we can about the human condition.

An understanding of progress is important when determining an effective measure to recognize the millions of slighted universes that exist and persevere day to day. Progress is not sending free things to help those in need, it is not increasing the number of charities feeding impoverished souls, progress has little to do with a wealthy nations citizens sympathy toward the less fortunate. Africa has received over US$ 500 billion in aid over the last 50 years, and yet the continent remains mired in poverty, blighted by systemic corruption, and with children dying needlessly from preventable diseases. In a study done by William Easterly of NYU, titled Can the West Save Africa the actual progress derived from half a century of aid is analyzed.



Not a lot of advancement at the price of $500 billion dollars. Handouts create dependency and stifle innovation. It can be said that in Africa, aid, whether humanitarian or economic, confers enormous power and influence on donors to the extent that the political leadership in recipient countries are more accountable to them than to their own people. That is not to say there havnt been steps in the right direction, its not the dark ages many people presume, FP's Charles Kenny brings forth some important points of progress:
About 10 percent of infants die in their first year of life in Africa -- still shockingly high, but considerably lower than the European average less than 100 years ago, let alone 800 years past
And about two thirds of Africans are literate -- a level achieved in Spain only in the 1920s.
The continent of Africa has seen output expand 6½ times between 1950 and 2001. Of course, the population has grown nearly fourfold, so GDP per capita has only increased 67 percent. But that's hardly stagnation.
Niger, a landlocked country largely made up of desert. With a per capita gross national income of $170, it was desperately poor in 1962. And it is not much richer today -- income per head is just $280. Yet life expectancy has increased from 40 to 57 years over that time, and literacy rates have more than tripled.

In short, all hope is not lost-- Africa has economic potential to rise from its misery given the correct economic outlook. Helping individuals help themselves is truly the only way to provide any foundation for success and development for the a positive future. In the last 30 years the massive economic expansion of India, Japan, Thailand, Singapore and China testify to the fact that trade stimulates growth. These countries have developed an industrial capacity to export attractive and affordable goods that have been instrumental in producing the accelerated growth of their economies. This is the path that Africa needs to take for a change in the status quo to be on the horizon.


I'll now slowly step down from my soapbox, glance side to side, a slight cough-- and go about my business, the universe swirling around me...

Where The Wild Things Are

In my mailbox, for one...

One of the advantages of living in an apartment- and there aren't many- is the joy of opening the mailbox everyday to an abundance of letters and packages. Now I know what you're thinking, but no, I do not have a fan club or a warrant or any friends. The mail is always for past tenants who have since moved on, leaving their paper trail behind for me to deal with. I am aware it is a federal offense to rifle through someone's mail. When sealed envelopes arrive for people that are clearly not me, I refrain from snooping, returning them to my mailbox with notes to the mailman that are small and friendly but in imminent danger of becoming neither.

Until said mailman figures things out, I can at least continue to learn tidbits of information about strangers I've never met. For instance, I know Ms. Alvarez is walking around in Victoria's Secret, and that she was due for a free pantie of any color or style had she forwarded her address. I know the Rosa family has a boy that went or still goes to the local public high school, and it was perhaps there where he made the unfortunate mistake of giving the armed forces his contact information. And I know that Mr. School subscribes to GQ, which I previously believed to be a magazine consisting of 70% adspace and 25% smut. Mr. Schools from coast to coast subscribe however, so I thought I'd give the magazine a fair chance. After actually reading it, I must say my numbers were off. It was more around 75% ads, 20% smut.

Now for all those math geniuses out there, yes there was a remaining 5% which I enjoyed. You have to work at it, but there are actually a couple of articles wedged between the underwear models. Once found, you need only ventilate the room and clear your lungs of expensive cologne to read them. This particular issue's 5% featured an interview with
Spike Jonze, director of Being John Malkovitch, Adaptation, and most recently, the highly anticipated Where the Wild Things Are.

Which is what this whole post was to be about, believe it or not. ANYways.

A month or two ago, chances are, you, like me, saw the Wild Things trailer with Max and the monsters scampering about to a re-recorded version of Arcade Fire's "Wake Up". And chances are, you, like me, began salivating heavily before leaning over to every person you were with, saying, "That's gonna be awesome" as if you were an expert on the matter. And now you've been anxiously awaiting its release, youtubing the trailer every couple days to ease your shakes. For those of you who inhabit a cave or the space under a rock, here it is.



And for those of you with parents who never loved them, Where the Wild Things are is a children's book by Maurice Sendak that is fantastic and magical and was at some point read to to all of us by our parents who loved us. The film is an adaptation of that story- a story which is only about 40 pages and comprised mostly of illustrations. Which has led most to wonder and speculate how it will work on screen- or if it will work at all. In the GQ article, Jonze explains the difficulties along the way, dealing with movie producers and adaptation expectations and deadlines and what have you. The interview also provides additional information about the movie and Jonze's life in general, which is very interesting. You should probably just read it. On a side note, it was recently announced that Yeah Yeah Yeah's frontwoman Karen O and Deerhunter's Bradford Cox among others will be included on the movie's soundtrack, which should make the film all the better. Some of the score can be previewed in this article that also contains some chilling interview footage. Be excited. The soundtrack is set to be released on September 28, with the movie being released on October 16th.

The last bit of useful information I found in GQ, which I'll share in hopes that Mr. School should see it: SEND ADDRESS CHANGES TO GENTLEMEN'S QUARTERLY, P.O. BOX 37675, BOONE, IOWA 50037-0675

A Post-Journalistic Age

What's next?...

As I sit here blogging my little heart away, yearning for my peep to be heard over the roar of virtual information, millions of other type away, commenting, reporting, logging their thoughts on the web. While working as a collective and connecting ideas, these blogger's are providing something more interesting and accessible than print media has ever been able to avail in any of its forms. Meanwhile, the media mogul cronies occupying the downtown high rent real estate cant figure out how to earn a buck off of free news. When I wake up and skim through the newspaper in the morning, all I really get is a recap of all the news that I heard from the day before, really just confirmation that it actually happened. Why bother? Something to read while eating cereal?

Whether have allowed ourselves to admit it or not, the fundamental way in which we consume news, media, and information is changing dramatically. I have compiled a brief disquisition on the state of print media, which takes a glimpse into a new post-journalisic era.


1. The Atlantic comments on a post-journalistic age | One of the more relevant articles ive seen tossed around lately.

2. One correspond ants idea for a new journalism network | Jeff Jarvis wants to build an ecosystem around hyperlocal bloggers. Can local news be accurately reported by individuals? Surely it would provide for interesting perspectives. Though something tells me this could have a polarization effect on communities.

3. Press accuracy at a two decade low | Pew Research evaluates the public on perceptions of press fairness and accuracy. The age of instant information now makes the layman a fact-checker.

4. Eleven things i'd do if I ran a news organizations | "#11. We would never publish lists of 10. They’re a prop for lazy and unimaginative people." -- thats right, you would publish lists of 9...

5. A critique and conclusion of where journalism is headed | One of the most insightful and valuable things that I have seen written about the direction of print media. Its implications are far reaching and apply to a number of other fields.. its long-- but read it.


There is no simple answer, but I would like to think that whatever process of information exchange and reporting evolves from our antiquated systems will sharpen the lens from which we view the world. As the masses acquire more individual freedom of speech the risk of polarizing mans attitudes runs rampant, he starts to see only in black and white-- the fellow without an outrageous opinion is trampled in the rush of controversy. I would venture to say that, today, the print media is regarded as a sort of "voice of reason". Though keep in mind that 100 years ago the print media held the opinions of the masses in a vice grip, swaying the cries of the public to the whims of their own agendas. Danish philosopher Soren Kierkegaard saw it "People demand freedom of speech as a compensation for the freedom of thought which they seldom use."

Many today look for some common ground to be had, a balance between organizational media and independent blogging-- whether it will be found is yet to be seen. People will always want news. News will always find its way to people. The New York Times is a great publication, so is the Wall Street Journal-- but are they economically sustainable? We'll find out...

I do however know that critically acclaimed blog, Nineword.com, is economically sustainably, and interesting-- we're looking for our one millionth reader [to be born in the next decade or two].

Playing For Change

A video collaboration of musicians from around the world...

Playing for Change is a non-profit organization that , for the past four years, has sought to bring together musicians from different geographic, political, economic, spiritual, and ideological backgrounds all around the globe-- uniting them with a common passion that transcends all human difference-- music. Gleaning incredibly talented musicians from the likes of New Orleans, Nepal, South Africa, India, Barcelona, and Ireland, the videos are a true examination of the power that music holds in unity.

Below an excerpt and music video that was recorded as a part of the award-winning documentary Playing for Change: Peace Through Music. Pretty powerful, watch for yourself... Grandpa Elliot is a personal favorite of mine...



If you fancied that video, here are some more links:

The Art of Quoting Oneself

And the consequences that follow...

The best way to promote your opinions and start general revolutions is to quote yourself. Here are a few of my most quotable moments.

This quote needs to be heard by everyone. -Ben Irwin


I haven't put a good thought in words for decades.. - Ben Irwin


Abraham Lincoln once said: - Ben Irwin


I never quote myself. - Ben Irwin


Write this down and never forget it - Ben Irwin


This quote really means alot to me - Ben Irwin


Alot of people like to quote Keats, Shakespeare, or Thoreau when expressing their knowledge of literature, but I like to use this quote - Ben Irwin


The best way to promote your opinions and start general revolutions is to quote yourself - Ben Irwin


Here are a few of my most quotable moments - Ben Irwin


What should my next quote be? - Ben Irwin


How about this. - Ben Irwin


Ok, stop taking my quotes seriously. - Ben Irwin


Might I point out that the last quote there raises an interesting paradox for the thinking man. By telling the listen or reader to "stop taking my quotes seriously" I put them in a particularly curious bind. For if they take that statement seriously, they will indeed proceed to stop taking my quotes seriously-- but at the same time breaking the very demand I had issued! Conversely, if they see through the ruse and take the quote as jest-- then they will be forced by its opposition to, in fact, take the quote seriously, a rule that they have already violated! There is no winner here.

The recipient of my quote finds themselves in the midst of a simple Grelling-Nelson Paradox. Not to run in the opposite direction of my original post but a quick anecdote from our deceased friend the Earl Betrand Russell can help us understand what's happening:

Suppose there is a town with just one male barber; and that every man in the town keeps himself clean-shaven: some by shaving themselves, some by attending the barber. It seems reasonable to imagine that the barber obeys the following rule: He shaves all and only those men in town who do not shave themselves.

Under this scenario, we can ask the following question: Does the barber shave himself? Asking this, however, we discover that the situation presented is in fact impossible:

  1. If the barber does not shave himself, he must abide by the rule and shave himself.
  2. If he does shave himself, according to the rule he will not shave himself.

A contradiction in terms!! It is a self-referencing clause-- in word and deed, it is not possible for the barber to exist. Using the same logic, we can determine that there is no possible way for my quotes to exist. My quotes don't exist!

My quotes don't exist. - Ben Irwin



9/9/09

Happy Nine Day!

By Ben and Paul

If you haven't yet noticed, today is a special and important day in history. We're not talking about President Obama's address to Congress or the release of the Beatle's Rockband game either. No, we speak of the only day in our lifetime (pending the advent of miracle drugs) when the calendar will proudly read 09/09/09.

The very beginnings of our Nine saga began whence we were young lads... what with our perspective of life narrow and our naivety guiding every move. We saw that every other number in the primary number scheme (ie 1-9 (10, etc are but copy's and repeats of that which reside in the former)).. had some significance in popular culture, societies values, or had historical weight. Example: 1 - everyone strives for it. 2 makes a couple. 3 - ever heard of the Trinity? 4 balls take your base slugger... etc, etc 5678....... and then there is Nine.......

Despite our best efforts to group it with the rest, we soon discovered that Nine stood alone- stood alone in its meaning, its glory, its majesty. Surely the number is an outcast among its peers. While the rest get together for cocktails and discuss their importance in culture and mathematical theory, there is Nine looking in through the window, rain dripping down its oval head. There is even evidence to suggest the number has been subject to cannibalism in the past, as alluded to by the following infamous "joke":

Q: Why was six afraid of seven?
A: Because seven ate Nine.

Disgusting. So we decided to take this vagabond number under our collective wing. Nine was now our favorite number. But it was more than that. It was a movement, a phenomenon. We quickly invited friends to join our passion, and the wildfire growth that followed resulted in a cult following to rival that of Chuck Norris or Mini Wheats.

The culmination of a century, and wont be seen again for another 100 years-- 9/9/09 deserves a salute. It was for this reason we decided to recognize the contributions of man and nature alike to the betterment of Nine. The following list was put together during a celebration including debauchery and a Nineday cake.


1. The very evolution of Nine:



2. This man released an album with the number for a title. Irish singer/songwriter Damien Rice released his second record and labeled 9 ... a good man.

3. The Nine Network is an Australian television station




4. 9 is a 2009 animated sci-fi/action film directed by Shane Acker and produced by Tim Burton and Timur Bekmambetov-- which was released in theatres this very day... go see it.

5. The International Maritime Symbol for Nine:

(its reallllly big!! So that the sailor can see the signal upon the open sea!!)

6. (which is Nine upside down for our Southern Hemisphere friends) In classical music the curse of the ninth refers to the superstition that a composer who writes a ninth symphony will die soon. Beethoven, who left his Tenth Symphony unfinished, is regarded by the superstition as the first victim of the curse. Among nineteenth-century Viennese composers, neither Franz Schubert nor Anton Bruckner finished nine symphonies. Gustav Mahler attempted to avoid the curse by naming the work after his Eighth symphony Das Lied von der Erde He then wrote a complete Ninth Symphony, yet his Tenth was unfinished at his death...

7. There are nine circles of Hell in Dante's Divine Comedy.

8. Itunes 9 was released today.. obviously planned intricatly from Apples inception to coincide with Nine Day...

9. This is the Ninth point of why Nine is awesome on critically acclaimed blog Nineword.com.


There you have it...

Links From The Music World

Its quite the musical binge...

1. The top 50 music videos of the past 10 years | Any self respecting music nerd could spend an hour or so trying to watch all these nifty videos. As notable, ill point to: #39, which was featured in the blog last month. #17, wins the contrast of frightening and beautiful award. #38, for its being something I could watch endlessly (and reminiscent of Lord of the Flies). #30, because words cannot begin to describe. ---At this point I am going to stop pointing out notable videos, as I could mention half of them...

Of course to add a few of my own...

Four Tet - As Serious as your Life | I have always been enamored with music videos that I can watch endlessly, without tire-- and this is most certainly one of those..

M83 - Sister (pt.2) | Not to be overly quaint, but sometimes music can be set to specific backdrop that allows a great spectrum of human emotion to be revealed-- sometimes with a sense of nostalgia attached, displaying an era past, its inhabitance aged and its influence now unconscious ... such is the charisma of this video


2. Bb 2.0 is a collaborative music and spoken word project | The videos can be played simultaneously -- the soundtracks will work together, and the mix can be adjusted with the individual volume sliders-- pretty cool and pretty fun...


3. A nice little site to find music and download it | Basically a search engine that indexes any and all mp3s out there on the web. It looks like free music downloading is moving into the legitimate Internet sector


4. Mixes and Covers of the week | (right click save link as to download - I wish I knew how to play mp3's straight from the blog via a streaming player, haven't figured that out yet.. in due time-- but don't worry, they are worthy downloads, and free!)

Radiohead v. Dave Brubeck - 15 Step [link to mp3] - Jazz infused Radiohead

I Call Shotgun - Ride With Me (Nelly cover)[mp3] - I dont care if you hate Nelly, a good cover.

Emancipator - Shook (Sigur Ros v Mobb Deep)[mp3] - The best for last, if you do anything worthwhile with this whole post, download this and listen to it.

My Favorite Album Art of 2009

(thus far)...

Andrew Bird - Noble Beast



Wilco - Wilco



Muse - The Resistance



God Help the Girl - God Help the Girl



Discovery - LP


Animal Collective - Merriweather Post Pavilion




Cymbals Eat Guitars - Why There Are Mountians



Grizzly Bear - Veckatimest



And my favorite (mostly because I have always wanted to do precisely what man in the picture is doing-- wear a spacesuit and be on an album cover) :

Prefuse 73 - Everything She Touched Turned Ampexian

Social Change and the Mp3

Billboard charts aren't what they used to be...

A very perceptive article by Eric Harvey of Pitchfork, regarding the advacement of music mediums through time-- radio, LP, cassette, mp3-- the social and economic shift it has caused, and how it has transformed traditional ideas of interaction and production:
When radio came along, its broadcasts created communities of music-listening strangers, physically distant from each other but connected through the knowledge that they were listening to the same song at the same time. Where radio brought listeners together as a listening public, the LP started splitting them apart. The LP and 45 rpm formats took the phonograph, which had been in existence for over half a century, to the masses, right as the American middle-class was going suburban and privatizing their lives. We could then use musical objects like we'd been using literature and art for centuries prior: as collectibles, and signifiers of personal taste. The emergence of the cassette--the first sturdy, re-writeable music technology-- allowed us to "manufacture" our own music in the privacy of our own homes and recirculate it at our will, through mixtape trading and full-album dubbing. By the early 1980s, home taping had become the latest fall guy for an industry trying to blame consumer delinquency for its slipping fortunes, rather than its own overspending... [now] the cassette "crisis" seems quaint when compared to the rise of the mp3.
The impact:

 In the 19th century, the Industrial Revolution upended Western societies from their agrarian ways of life, distancing the average person from the means of production, and introduced what would later be called "modernity." In the late 20th century, the Internet quickly made this phase of communication and economics look quaint and distant. This latest shift-- you can tell your grandkids you lived through it-- opens the possibility to freely create and distribute culture, with the idea of reaching a global audience.
Comments on the future of a music industry and culture without profiteering:
Artists need to make money for their music (if they want to), and they need a set of flexible legal and technological guarantees to ensure this. But these guarantees need to be flexible enough to allow the fans themselves to use their collective intelligence and passion to help the artists themselves, without being exploited, or written into a script fit for retired actors. If the networked public sphere shaped by mp3s could collaboratively re-imagine itself not as an audience or a market but as members of a civil society, who feel that they deserve a stake in its own culture, then the rules going forward, and our appreciation of music's social and affective values, might emerge like mp3s themselves: from the bottom up. We've long since figured out how to grab and recirculate music.
Very few things grasp the circumstance or reflect the values and ideals of a culture as well as music does. With an unwritten, virtuous air-- music evolves, influences change, and interprets events with a permanent nostalgia. The mp3 will only serve to further the proliferation of music-- and most importantly, breed diversity and nourish creativity.

I see the true musician as somewhat of an anomaly in the scheme of selling, buying, markets, and economics. As we have seen in the past decade-- the less people who want to pay for music, the more musicians want to make it. A steep contrast with nearly everything else that is bought as sold. Simply put, the rise of free (and cheap) music has served its purpose to diversify the fans taste and to swing the door of opportunity open for the artist.
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